Creating a life that reflects your values and satisfies your soul is a rare achievement. In a culture that relentlessly promotes avarice and excess as the good life, a person happy doing his own work is usually considered an eccentric, if not a subversive.

(via explore-blog)

Robert Adamson | The River


A step taken, and all the world’s before me.

The night so clear


stars hang in the low branches,

small fires riding through the waves of a thin atmosphere,


islands parting tides as meteors burn the air.

Oysters powder to chalk in my hands.


A flying fox swims by and an early

memory unfolds: rocks


on the shoreline milling the star-fire.

its fragments fall into place, the heavens


revealing themselves

as my roots trail


deep nets between channel and

shoal, gathering in


the Milky Way, Gemini - 

I look all about, I search all around me.


There’s a gale in my hair as the mountains move in.

I drift over lakes, through surf breaks


and valleys, entangled of trees - 

unseemly? On the edge or place inverted


from Ocean starts another place,

its own place - 


a step back and my love’s before me

the memory ash - we face each other alone now,


we turn in the rushing tide again and again to each other,

here between swamp-flower and star


to let love go forth to the world’s end

to set our lives at the centre


though the tide turns the river back on itself

and at its mouth, Ocean.

Linda Hogan | Two


The weight of a man on a woman

is like falling into the river without drowning.

Above, the world is burning and fighting.

Lost worlds flow through others.

But down here beneath water’s skin,

river floor, sand, everything


is floating, rocking.

Water falls through our hands as we fall through it.


And when a woman and a man come up from water

they stand at the elemental edge of difference.


Mirrored on water’s skin,

they are fired clay, water evaporating into air.


They are where water turns away from land

and goes back to enter a larger sea.


A man and a woman are like those rivers,

entering a larger sea


greater than the sum of all its parts.

#Poetry  #Lit  #Linda Hogan  #Two  
Andy Goldsworthy | Rainbow Splash

Andy Goldsworthy | Rainbow Splash

Charles Simic | Clouds Gathering


It seemed the kind of life we wanted.

Wild strawberries and cream in the morning.

Sunlight in every room.

The two of us walking by the sea naked.

Some evenings, however, we found ourselves

Unsure of what comes next.

Like tragic actors in a theater on fire,

With birds circling over our heads,

The dark pines strangely still,

Each rock we stepped on bloodied by the sunset.

We were back on our terrace sipping wine.

Why always this hint of an unhappy ending?

Clouds of almost human appearance

Gathering on the horizon, but the rest lovely

With the air so mild and the sea untroubled.

The night suddenly upon us, a starless night.

You lighting a candle, carrying it naked

Into our bedroom and blowing it out quickly.

The dark pines and grasses strangely still.

Cecil Day-Lewis | The Magnetic Mountain


Somewhere beyond the railheads

Of reason, south or north,

Lies a magnetic mountain

Riveting sky to earth.

Kestrel who yearly changes

His tenement of space

At the last hovering

May signify that place.

Iron in the soul,

Spirit steeled in fire,

Needle trembling on truth –

These shall draw me there.

The planets hold their course,

Blindly the bee comes home,

And I shall need no sextant

To prove I’m getting warm.

Near that miraculous mountain

Compass and clock must fail,

For space stands on its head there

And time chases its tail.

There’s iron for the asking

Will keep all winds at bay,

Girders to take the leaden

Strain of a sagging sky.

O there’s a mine of metal

Enough to make me rich

And build right over chaos

A cantilever bridge.

Carol Rumens | Above Cuckmere Haven


This is a reachable coast:

the cliff, though it unscrolls

the modest curve of a buttress 

is no young Atlas, 

and doesn’t presume to try 

to shoulder up the sky;

and the sky itself, 

translucent as a harebell, 

pales, but will not disclose 

the point at which it wavers 

into an immortelle 

of gases, stars.

The pillboxes, rust-brown, 

ask to be picnicked on;

no patriotic gull 

wooingly calls 

the farmboys to enlist.

These desultory ghosts

that feed the air again 

must be their grandchildren 

who never went to the Somme, 

Dunkirk or Spain, 

but locked the silos full 

of missile-grain.

Visions, like meadow-blues, 

are dust in the hand, 

seeds where the grass thins 

to light, and the cliff 

perishes, chalk and sand:

this is a coast of bones.

What remains is a view:

the cliff upswept from the beach 

and the drying threads of the mere, 

lifting whitely two 

crumbling wings – on which 

other wings briefly appear.

Four Tet | Unspoken

There is no escape. You can’t be a vagabond and an artist and still be a solid citizen, a wholesome, upstanding man. You want to get drunk, so you have to accept the hangover. You say yes to the sunlight and pure fantasies, so you have to say yes to the filth and the nausea. Everything is within you, gold and mud, happiness and pain, the laughter of childhood and the apprehension of death. Say yes to everything, shirk nothing. Don’t try to lie to yourself. You are not a solid citizen. You are not a Greek. You are not harmonious, or the master of yourself. You are a bird in the storm. Let it storm! Let it drive you! How much have you lied! A thousand times, even in your poems and books, you have played the harmonious man, the wise man, the happy, the enlightened man. In the same way, men attacking in war have played heroes, while their bowels twitched. My God, what a poor ape, what a fencer in the mirror man is - particularly the artist - particularly myself!

(via brevardcountyblues)

Idiot Wind | Mama, You’ve Been On My Mind

Todd Webb | Cow Skull

Todd Webb | Cow Skull

(via indivisiblematter)

Thom Gunn | From the Wave


It mounts at sea, a concave wall

     Down-ribbed with shine,

And pushes forward, building tall

     Its steep incline.

Then from their hiding rise to sight

     Black shapes on boards

Bearing before the fringe of white

     It mottles towards.

Their pale feet curl, they poise their weight

     With a learn’d skill.

It is the wave they imitate

     Keeps them so still.

The marbling bodies have become

     Half wave, half men,

Grafted it seems by feet of foam

     Some seconds, then,

Late as they can, they slice the face

     In timed procession:

Balance is triumph in this place,

     Triumph possession.

The mindless heave of which they rode

     A fluid shelf

Breaks as they leave it, falls and, slowed,

     Loses itself.

Clear, the sheathed bodies slick as seals

     Loosen and tingle;

And by the board the bare foot feels

     The suck of shingle.

They paddle in the shallows still;

     Two splash each other;

Then all swim out to wait until

     The right waves gather.

Angus & Julia Stone | For You

Kathryn Simmonds | Talking to Yourself


It starts with sounds of which you’re unaware:

the window, opening, gives a rusting sigh,

saying something, although there’s no one there.

The bath brims over while you ask the air

what’s the point? The air makes no reply.

It’s used to sounds of which you’re unaware.

Children see you chattering and stare,

and mothers with their trolleys wonder why

you’re whispering, although there’s no one there,

just artichokes, an avocado pear –

they cannot tell you how to live and die,

they’re lipless, though they may still be aware.

Inside the church the shadows lisp a prayer,

and votive candles clamber to the sky,

insisting something, although there’s no one there:

the priest has gone, the altar’s been stripped bare.

You’ve never prayed, but now you kneel and try:

it starts with sounds of which you’re unaware,

saying something, although there’s no one there.

Christian Sinding | Rustle of Spring (Frühlingsrauschen)